What Is Words On A Page

Words On A Page is a blog dedicated to analysing films old and new. We look at the story, the characters, the action, and everything else that defines a film.

We aim to show that the foundation of every film is the script- The "Words On A Page" that give this blog its name. In doing this, we aim to encourage aspiring screenwriters to look at both the strengths and weaknesses of films that they see, and apply the lessons learnt to their own scripts
Showing posts with label Historical Events. Show all posts
Showing posts with label Historical Events. Show all posts

Monday, 15 December 2014

5 Screenwriting Lessons – The Imitation Game

Who Wrote It?

The Imitation Game was written by Graham Moore, and based on the book Alan Turing: The Enigma, written by Andrew Hodges.

How Long is It?

The Imitation Game is 114 minutes long, including credits.

What’s It About?

The Imitation Game tells the story of Alan Turing (played by Benedict Cumberbatch), a gifted mathematician who gained a job as a codebreaker during the Second World War. Hired to decrypt messages sent by the Germans using the Enigma coding machine, he annoys his superiors with his anti-social manner, but soon comes up with an elaborate machine to crack the Enigma code. The film also deals with Turing’s homosexuality, illegal in Britain during his lifetime, his ill-fated relationship with fellow code breaker Joan Clarke (played by Kiera Knightley), his arrest for “Gross indecency” in 1952, and his eventual suicide.

5 Screenwriting Lessons- The Imitation Game
(The Following May Contain Spoilers)

Use Flashbacks and Flash-forwards – The Imitation Game begins in 1952, with police responding to the break-in that would expose Turing’s sexuality and lead to his arrest. The initial meeting is full of foreshadowing that sets up Turing’s downfall. When the detectives investigating the case first see him, he is cleaning up poisonous chemicals. As well as foreshadowing his suicide, which is not depicted in the film itself, it sets up Turing’s awkward and unsociable nature, which create as many obstacles for him as his homosexuality does. The subsequent interrogation of Turing provides a framing device for his narration. The detective conducting it, Detective Nock, serves as a stand-in for the audience, as he listens to the narration and gains an increased understanding of Turing as a person. This technique is used to emphasise the secrecy involved in Turing’s life, as the story he tells was known only to those directly involved at the time. In recent years, the tale has become more familiar, but the depiction of a time when it wasn’t highlights the levels of mystery that defined both Turing and the project in which he was involved.

As well as the scenes set after the war, there are also a number of flashbacks to Turing’s past as a student at a boarding-school. These serve to develop his character in a number of ways. He is implied to have Asperger’s syndrome or a similar condition, which manifests itself in his obsession with separating peas and carrots in his school dinner. This leads to him being mercilessly bullied by a number of fellow students, and sets up the fact that he is a misfit who nobody is able to understand. The flashbacks also depicts his friendship with, and growing attraction towards, Christopher, an older student who introduces him to the world of cryptanalysis. This ensures that he is a more relatable protagonist, and provides motivation for his actions throughout the rest of the film.

If A Line of Dialogue is Significant, Echo It Later - There are a number of instances in the film where a minor detail or exchange is used again later to emphasise its effect. Some of these are comedic in nature. For example, when Turing is hard at work designing his decryption machine, he refuses a request to go out for lunch, claiming that he dislikes sandwiches. Later, one of his fellow codebreakers steals a sandwich from him, citing this earlier comment when doing so. Though the sequence is entirely humorous, it demonstrates that Turing’s colleagues are ambivalent in their opinions of him. They accept his skills, but still regard him as a loner and therefore treat him in a disrespectful manner. This indicates that Turing is yet to fully win the approval of his team, and provides a personal motive for Turing to succeed, in addition to the wider need to save Britain.
However, the majority of echoes in the story are far more direct. One significant line is “Sometimes it is the people no one imagines anything of who do the things no one can imagine.” This is used three times in the movie. It is first used Christopher, then Turing himself, and finally Joan in the last scene. This reflects and reinforces the message of the movie, which is that the Second World War was not won on the battlefield, but by an introverted mathematician who was “agnostic” towards violence. The contrast between Turing’s anonymous nature and his highly valuable contribution is inherently fascinating, and this is at the heart of both the quote and the movie itself.

Protagonists Don’t Have to be Likeable – The film places a significant amount of focus on Alan Turing’s flaws. He was anti-social, overconfident, obtuse and lacking inhibition. These traits are made particularly apparent in his interview with Commander Denniston, the head of Britain’s Government Code and Cipher School, the organisation for which Turing worked. For example, he tells Dennison “You would need me a lot more than I need you.” The purpose of an interview is usually to win over the person conducting it, but Turing’s blunt comments show that he regards himself as being superior to Dennison, which is hardly an endearing statement to make in such a serious context. However, because Turing’s judgements turned out to be correct, the audience are on his side, because they are aware that he will be an essential member of the team and hope Denniston will recognise this. Turing’s confidence in his abilities make him a compelling character, and this ensures that the audience more inclined to follow him and see what effects his positive and negative characteristics have on his success.

Use the Period – The majority of the film takes place during the Second World War, and this creates a significant degree of tension. The extent of the threat posed by the Germans and their apparent invulnerability makes Turing and the codebreakers seem like underdogs, and this is highlighted through the menacing depiction of German ships and planes advancing on their enemies. Furthermore, they represented a more immediate threat through “The Blitz”, their bombing campaign against British cities. The attacks are depicted in a quick montage which focuses on the effect that they had on the ordinary British public. This conveys how destructive the conflict was and raises the stakes – If Turing and his team don’t succeed, Britain might be destroyed. Due to the distance between the codebreakers, based in the country estate Bletchley Park, and the battlefields on which the war was fought, the decision to show the impact of the fighting on those directly involved creates an increased sense of urgency, and this is what forces the team at Bletchley Park to work together in order to find the secret behind the Enigma machine as quickly as they can.

The German’s apparent dominance soon becomes an advantage for Turing, but this generates an ethical dilemma. After he succeeds in cracking the Enigma machine, the British now have a complete understanding of German strategy throughout the world. However, Turing realises that if this advantage is revealed, it would undo all the progress he has made. Therefore, he chooses not to warn the British government about an impending attack on a ship.  Even though one of his fellow codebreakers has a brother on board the doomed vessel, Turing stands by his decision. Although this is a pretty unlikely coincidence, it does highlight the effects that concealing all knowledge of German activities had. Because the depiction of the code breaking process omits almost all developments after Turing’s breakthrough, the story needs to find another way of demonstrating the obstacles the codebreakers faced from this point, and highlighting the problems generated by the newfound insight into German activities provides a striking way of doing this.

Relationships are Key – The story of the Imitation Game is structured around Turing’s relationship with Clarke. The first act ends with Turing inviting her to join the codebreakers at Bletchley Park, his decision to propose to her occurs at the midpoint of the story, and the second act ends with the revelation of his sexuality.  This is important because whilst the cracking of Enigma was a significant event, the majority of the process saw Turing use skills that he already possessed, namely his tenacity and mathematical knowledge. In contrast, his relationship with Joan forces him to change as a character and develop a close relationship with another person – his inability to do so is at the centre of his personality. This growth not only makes him into a more developed character, it enables him to enjoy greater success. For all his prowess as a mathematician, it is being able to listen to others provides Turing with the information needed to solve the German code.  Biographical dramas can risk emphasising facts over character, and by focusing on Turing’s inability to interact with his team, the script creates a story that can be applied to any time or place, but is enhanced by the people and events involved.

Verdict

The Imitation Game succeeds as a biopic because it focuses on characters instead of events. The Second World War is kept firmly in the background, and the focus in in Alan Turing himself. He is a highly flawed character, but has enough relatable traits to make him a protagonist worth rooting for. The period is well depicted, and the flashbacks and flash forwards are incorporated into the story effectively. The dialogue is strong, and in spite of the lack of action, the various conflicts Turing and other characters face are engaging. The screenplay provides a solid foundation for a talented cast and crew, and this is the main reason why the film is a prominent contender in this years’ awards season.

Sunday, 12 October 2014

5 Screenwriting Lessons – Pride



Who Wrote It?

Pride was written by Steven Beresford.

How Long is It?

Pride is 120 minutes long, including credits.

What’s It About?

Pride is based on the true story of the LGSM (Lesbians and Gays Support the Miners) group that operated during the British miners’ strike of 1984-5. It is founded when a group of gay activists, including the young rebel Mark Ashton (Played by Ben Schnetzer) , the flamboyant Johnathan Blake (Played by Dominic West) and the inexperienced Joe (Played by George MacKay), come together during a Gay Pride demonstration and decide to raise money to help the fight the British government’s attempts to close the country’s mines. After numerous failed attempts to find support from the British Union of Mineworkers, the LGSM are allowed to come to the small Welsh mining town of Onllwyn to promote their cause. Once there, they make an impression on the initially reluctant townsfolk, and gain a number of friends, such as Dai (Played by Paddy Constantine) and housewife Sian (Played by Jessica Gunning). However the homophobic attitudes prevalent throughout Britain at the time, coupled with the difficulties that the miners face as their strike progresses, ensure that the LGSM’s cause appears doomed.

5 Screenwriting Lessons – Pride
(The Following May Contain Spoilers)

Every Character Should Stand Out – Pride contains a large cast of characters, all of whom are depicted in a vivid and memorable manner. The initial focus is on the individual members of the LGSM. Joe, who refers to himself as “Bromley” until the climax of the film, is unsure of his sexuality. Mark is a provocative radical, whilst Johnathan’s partner Gethin is more grounded and less flamboyant than other members of the group. All the members are given a number of strengths and weaknesses; for example, Mark is shown to become a bit too self-centred as the LGSM gain prominence.  As a result of this nuanced portrayal, the characters always seem real, enhancing the legitimacy of the story and increasing the viewer’s interest in it.

The diversity of the cast is also showcased in the village of Onllwyn. The inhabitants all have different outlooks and different reactions to their unlikely supporters. Dai is the first person to meet the LGSM, and takes to their approach quickly, giving an introductory speech for them at a gay club in London. Sian is the one who undergoes the strongest character arc, as she transforms from an ordinary housewife into one of the LGSM’s strongest and most helpful supporters. Maureen is the nearest thing to a human antagonist in the story (the main opponents are the background forces of Margret Thatcher’s Conservative government and the institutions that supported it) as she refuses to let go of her homophobia and clings onto her belief that the LGSM are only out for themselves. This wide range of responses from this cast of supporting characters allows the film to reflect the wider views of society at large, acknowledging the fact that those aiming to bring about change, such as the LGSM, will always have to face up to intolerance from individuals, but their ability to open up the minds of the wider community is all that matters.

Portray the Past Effectively – The film begins with stock footage depicting the protests that occurred during the miners’ strike. Miners are depicted engaging in peaceful rebellions and being attacked by the police, and we soon switch from this succinct introduction to scenes depicting the strike on the news as Mark watches. This sets up the main subject of the story, in which the rebellious masses will take on the might of the government. Whilst the strike is merely in the background, as the film zeroes in on a small group of people involved, it serves to mobilise the plot and the protagonists driving it, and is therefore a vital part of the story.

The effects of the miners’ strike also increase our understanding of the characters. The destitution experienced by the strikers and their families is conveyed in a manner that can be remembered by those who experienced it, and understood by the viewers who did not. At the Onllwyn village hall, the main prize in the bingo games is a tin of corned beef. This is usually regarded as a cheap item that few would eat out of choice, but the fact that it is such a valuable prize highlights how desperate the inhabitants are, and how they are trying to make the best of their situation.  The best way of depicting an important event such as the miners’ strike is to depict realistic characters coping with the effects of it in a truthful manner, and Pride succeeds in doing this.

Subplots Are an Integral Part of Any Film – Within the overarching story of the LGSM’s attempts to bring attention to the causes of both the miners and the LGBT community, there are a number of smaller subplots. The most prominent of these concerns Joe, whose conservative parents want him to study in a catering college. However, he actually wants to be a photographer, and struggles to see eye-to-eye with them. Over the course of the film, Joe learns to be more assertive and accept his sexuality, and his parent’s failure to understand this increases his desire to be independent. This struggle with adversity gives the story a human focus, and reflects the main theme of being open about your orientation even in the face of considerable opposition.

The message about being proud of yourself is also apparent in two secondary subplots. The first of these concerns Gethin, who tries to rekindle his relationship with his Christian mother. The other one follows Cliff, a respected member of the Onllwyn community, who eventually reveals that he is gay. In both cases, the characters decisions are accepted by those close to them. In spite of the ultimate failure of the miners’ strike, the overall tone of Pride is a triumphant one, and Gethin and Cliff’s ability to come out reflects this.

Changes in Mood Should Feel Natural – Pride has to balance both comedic and dramatic elements, and does this by contrasting them; an upbeat sequence will be followed by a serious setback that hinders the protagonists. Therefore, the emotional high of acceptance from the community is followed by the reveal that Maureen has told the tabloids about the LGSM’s presence, and the heartwarming scene in which Gethin’s mother comes to visit him in hospital, completing the subplot depicting their reconciliation, is followed by Johnathan’s admission that he is HIV positive. This alternation between increasingly positive and increasingly negative events creates a growing progression, and ensures that, instead of seeming like a constant stream of events, the film flows naturally, with a story that can follow the beats of a conventional screenplay structure perfectly.

The brutal nature of homophobia in the 80’s is summed up by an attack on Gethin that leaves him hospitalised as he goes out on his own to ask for donations. Whilst it is not actually shown, it is foreshadowed skilfully, with the warning that the LGSM members should stay together when trying to collect funds, and the attacks on Gethin’s bookshop earlier in the film. This ensures that when the lighting dims and the score turns ominous, the viewer can figure out what is going to happen without having to see it. As a result, the film is successfully able to depict the reality of homophobic violence without the jarring deviation from its overall tone that would have resulted from actually showing it.

Be Energetic - Pride’s approach and tone is reflected in its soundtrack, which is a mixture of protest songs and up-tempo 80’s pop. However, the music is more than just a way of setting the mood. It becomes particularly important during “Pits and Perverts”, a benefit concert set up by the LGSM in response to vicious articles from the pro-government tabloids. Enlisting the services of the electronic pop act Bronski Beat, they manage to gain large amounts of attention for their cause and money for the people of Onllwyn. This marks a significant milestone in the story, as a group of amateur activists founded only a few months before are able to recruit the services of band who, at the time, were one of the most popular acts in Britain. The ambition of the LGSM highlights their commitment to their twin causes, and shows that they are gaining increasing popularity and prestige as a result of this. Music is an important part of modern life, and the LGSM’s ability to connect with it allows them a simple and appealing way of proving that minority groups can make a difference.

Conclusion

Pride provides a unique perspective on one of the most important events in modern British history. It provides a wide range of characters who are defined clearly enough to stand out, but depicted in a manner that allows them to seem like real people instead of stereotypes. It makes good use of the period in which it is set, embedding the culture of the time into the story seamlessly. Most importantly, it provides large amounts of comedy and drama without letting either dominate the film completely. Generally, Pride is a good example of how two complex genres, the historical drama and the ensemble comedy, can be combined in a manner that is both enjoyable and appealing for a wide audience.